Starting October 4th, 2024, visitors will have the opportunity to explore the enchanting worlds crafted by Japanese animation powerhouse Studio Ghibli at the highly anticipated “The World of Studio Ghibli” exhibition at the ArtScience Museum.
This groundbreaking exhibition, organized in collaboration with Studio Ghibli, marks the studio’s first showcase in Singapore. It delves into the iconic animation, storytelling, and beloved characters that have captured the hearts of audiences worldwide for nearly four decades.
A Legacy of Enchantment and Innovation
Founded in 1985 by directors Isao Takahata and Hayao Miyazaki, alongside producer Toshio Suzuki, Studio Ghibli is celebrated for its enchanting films that range from magical adventures to charming tales based on everyday life. The studio’s influence on the animation industry is profound, with its films earning critical acclaim both in Japan and internationally. Studio Ghibli’s masterful hand-drawn visuals, intricate world-building, rich characters, and universal themes have inspired generations of animators and storytellers. Notably, seven of their films have received Academy Award nominations, with “Spirited Away” (2001) and most recently, “The Boy and the Heron” (2023) winning Best Animated Feature. In 2024, Studio Ghibli made history by being the first group to be awarded an Honorary Palme d’Or at the Cannes Film Festival, recognizing their outstanding contributions over the past 40 years.
An Immersive Experience at ArtScience Museum
The ArtScience Museum will undergo one of its biggest transformations to date, bringing “The World of Studio Ghibli” to life across 11 galleries spanning 2,400 square meters. Visitors will embark on an unforgettable journey through 11 beloved films, including “My Neighbour Totoro” (1988), “Kiki’s Delivery Service” (1989), “Princess Mononoke” (1997), “Spirited Away” (2001), and “Howl’s Moving Castle” (2004).
Visitors will be immersed in the vibrant worlds of beloved Studio Ghibli films and come face-to-face with their favourite characters
Main highlights include 16 large-scale theatrical sets that transport visitors into iconic scenes from the movies, such as waiting in the rain with Totoro, entering Howl’s Moving Castle, and hopping on a train with No-Face. In addition, 16 whimsical art installations will offer a more intimate exploration of Studio Ghibli’s creative processes. The exhibition will conclude with a retail shop featuring official Studio Ghibli merchandise and souvenirs designed exclusively for this presentation at the ArtScience Museum.
Celebrating Extraordinary Women
Launching as part of ArtScience Museum’s ‘Year of Extraordinary Women’, “The World of Studio Ghibli” also aims to spotlight the diverse female protagonists featured across the studio’s films. These characters, often depicted as strong and independent, embody values such as compassion, love, tolerance, and respect, resonating deeply with audiences through themes of nature, environmentalism, coming-of-age, self-discovery, technology, and war.
Global Journey and New Additions
“The World of Studio Ghibli” exhibition was first presented in Japan in 2013 and has since traveled to South Korea, Taiwan, Hong Kong, and most recently, Bangkok. The exhibition has evolved over the years, with the upcoming iteration in Singapore featuring new additions from Studio Ghibli’s latest film, “The Boy and the Heron” (2023).
Ticket Information
Ardent fans can look forward to securing their visit when ticket sales launch next week. From July 29th, 10am to August 2nd, Sands Lifestyle Members will have access to an exclusive five-day pre-sale, offering tickets with exclusive perks and discounts available at Marina Bay Sands box offices and online at Marina Bay Sands website. General sales will open to the public from August 3rd, 10am onwards, with tickets available via Klook or all Marina Bay Sands box offices.
“The World of Studio Ghibli” will run from October 4th, 2024, to February 2nd, 2025. For more details on the exhibition and to purchase tickets, please visit the official website.
